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4 results for Books: “Luigi Barbasetti”. Product Details THE FOIL. With a Short History of Fencing. by Luigi (inscription by Leonardo Terrone) Barbasetti. The art of the foil [Luigi Barbasetti] on *FREE* shipping on qualifying offers. The Art of the Foil is a classic of fencing literature. Within it’s pages. In , Italian fencing maestro Luigi Barbasetti wrote his now famous The Art of the Foil (recently reprinted by Barnes & Noble). While this work by a respected.

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Help us improve this article! Barbasetti was essentially of the view standard at the time that modern fencing was a superior and more “evolved” version of swordplay—beyond anything of cruder centuries where professional warriors actually fought one another with an immense variety of arms and armor.

This attitude is indicative still today of many experts in forms of classical Western sport fencing. Babasetti taught in Trieste and afterward in Vienna and at Wiener Neustadt from through This can be likened to a modern Judo coach declaring the samurai Musashi’s respected Book of Five Rings nonsense.

We welcome suggested improvements to any of our articles. So, here we have someone who we would expect to know better defining Western “fencing” not as skill in the art of sword fighting or even as a martial art of weapons and unarmed skill, but only in the narrowest terms of what he understands can be done with a modern foil, epee, or sabre.

Clements It is strange how those who do not study killing arts with real weapons, but only athletic civilian dueling games, will often give “professional consultation” on historical martial arts outside of their own sporting specialties. We can imagine the notion of practicing historical fighting systems as a “martial art”—that is, with an armed and unarmed self-defence component, a self-improvement and ethical element as well as physical exercise aspect, and an emphasis on heritage and historical exploration all without competitive contests—was apparently just not sportsmanlike enough.

Luigi Barbasetti (Italian fencing master) – Images |

In Barbasetti retuned to lluigi homeland, spending his final years teaching in Verona. Again, the sad, familiar view appears of modern fencing i. His opinion is all the more sad when, in his most extraordinary example of martial ignorance, he later goes on to call the German grandmaster Liechtenauer’s influential Fechtbuch “arrant nonsense. Unfortunately, his tolerance degenerates into a wide array of inaccurate, and in modern hindsight, downright false statements about Medieval and Renaissance sword combat.

The sad part is that there are those now, who like Barbasetti inhold very similar views inspired more by pervasive Hollywood fantasy than by the actual reality of history.

You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. They are only understandable when we grasp the insulated and limited martial experience surviving in the West which had long been represented solely by the classical sport fencing of foil, epee, and sabre.


Lhigi is no truer than in Barbasetti’s views on earlier fighting skills.

While we would never hear a Western fencer comment that by comparison their sport was far more sophisticated or refined than the traditional sword styles of Asian martial arts, they have typically not hesitated to say so in regard to antique arts of European heritage. Italy comprises some of the most varied and scenic landscapes on Earth and is often described as a country shaped like a boot.

Luigi Barbasetti

Is it merely because their craft derives from Baroque ancestors that in turn came from Renaissance forebears? Keep Exploring Britannica Mike Tyson. However, he is hardly alone in his bias. Reading his views one gets the absurd feeling that Western sword arts must have somehow advanced only after everyone finally stopped fighting for real. Olympic Gamesathletic festival that originated in ancient Greece and was revived in the late 19th century.

As was common for fencing masters of the late 19th and early 20th centuries, he refers to Medieval single-combat as “undisciplined bouts mixed with wrestling.

The Art of Well Meaning Error

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He had many illustrious pupils, including Lucien Gaudin and Roger Ducret, both of whom competed for France in three Olympics —,and —Gaudin winning four gold and two silver fencing medals and Ducret three gold, four silver, and one bronze. Even for a fencing master writing a short history of Western swordsmanship inthere was a good deal of reliable material on Medieval weapons at the time for those who were genuinely interested.

Reproduction of material from this site without written permission of The Association for Renaissance Martial Arts and its respective authors is strictly prohibited. Still, even today it is an all too common occurrence. Of Fiore’s systematic teachings Barbasetti then admits how to him they seem a “rather complicated manner of combat. In this regard, Barbasetti’s condescending remarks on historical swordsmanship seem self-righteous and almost vindictive to one with the vantage point of being a student of Renaissance martial arts.

This is bizarre given Barbasetti’s prior statements about how he apparently understood how social, military, and technological conditions historically dictate what weapons and armors are used, and in turn produce their own distinct barbasett. Any text you add should be original, not copied from other sources. Discover some of the most interesting and trending topics of Increased ritual and sportification happened to baarbasetti as its self-defence and military aspects declined—at the same time the craft became more and more concerned with aesthetic form, ritual, etiquette and competitive pastime.


Maitre d’Armes Marcel Cabijos. It is remarkable that this fencing master, after studying the historical manuals luuigi despite so much experience and insight, was unable to discern how older methods represented entirely different and self-contained fighting arts effectively adapted to far more challenging environments. Cristiano Ronaldo, Portuguese football soccer forward who was one of the greatest players of his generation. But his one hundred-page final chapter entitled, “A Short History of Fencing,” is largely the typical denigration of earlier European fencing methods—which barasetti in baebasetti for the most part more sophisticated, diverse, and inclusive martial arts of a much more brutal and demanding luuigi.

Perhaps understandably, perhaps not, swordsmen such as Barbasetti came to dismiss, denigrate, and ridicule older fencing skills—a craft that they actually no longer luugi, taught, or retained barasetti any significant manner or any preserved tradition. Barbasetti includes an entire section on historical swordsmanship at the end of his excellent instructions on foil. On Medieval fighting Barbasetti revealingly yet erroneously declares: While this work by a respected classical fencing expert who lived in an age where occasionally still lethal dueling was not all that infrequent has been largely influential to modern sport fencers, it is interesting to today’s historical swordsmanship students for other reasons entirely.

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Freiheit student of Barbasetti

They pursued a far more narrow luii specialized form of gentlemanly fencing directed toward duels of honor with single identical swords. All rights are reserved. Barbasetti’s work certainly holds a trove of fascinating tidbits for the student of historical fencing. At the bottom of the article, feel free to list any sources that support your changes, so that we can fully understand their context.

Yet, despite this astounding admission, he proceeds anyway to dissect the manuals of Renaissance Masters of Defence as being more or less unsophisticated and crude.

In the late 19th century, during the attempted restructuring of fencing in Italy Barbasetti was ordered to go to Rome to be re-trained in the southern method of Maestro Masaniello Parise through courses at the Military Fencing Masters School in Rome.

Please note that our editors may make some formatting changes or correct spelling or grammatical errors, and may also contact barbawetti if any clarifications are needed. Learn More in these related Britannica articles: At one point in trying to explain how sabre fencing was not something new, he traces bqrbasetti to older methods of “heavy weapons” p.

Before the s the Games were officially limited to competitors with amateur status, but in the s many events were opened to professional athletes.