CATEDRAL SUMERGIDA DEBUSSY PDF

May 19, 2020   |   by admin

Read about the legend that inspired Debussy’s prelude “La Cathédrale engloutie ” or “The Sunken Cathedral”. Preludios para Piano – No La catedral sumergida official lyrics by Claude Debussy.

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Measure 15 marks the beginning of a new formal section, A, beginning in B major pentatonic, made distinct xatedral eighth note triplets in the left hand. The copy from International Harp Archives has markings in pencil for harp.

Edition Catedtal Views Read Edit View history. In this piece, Debussy composes the music using motivic development, rather than thematic development. Inexact parallelism allows the quality of the harmonic intervals to vary throughout the line, even if the interval sizes are identical, while exact parallelism the sizes and qualities remain the same as the line progresses.

To create a music list, please vebussy in. Performer Pages Heather W. Debussy masterfully saturates the entire structure of the piece with these motifs in large- and small-scale ways.

The Story of Debussy’s “The Sunken Cathedral”

Then after a section marked Augmentez progressivement Slowly growingthe cathedral emerges and the grand organ is heard with a powerful fortissimo. I am a music teacher. Sounds can be heard of priests chanting, bells chiming, and the organ playing, from across the sea.

Productions du Moliantegok, Do you usually like this style of music? Performer Pages Stefano Ligoratti Piano. The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and Review Guidelines Explain exactly why you liked or disliked the product.

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A voice called out to throw his sinful daughter into the sea or he would not escape the waters that were about to overtake him.

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It begins in measure 28 and introduces a diatonic key for the sumertida time, the key of C major. Are you a beginner who started playing last month? Motif 1 is also heard in a soprano voice from measure In the case of the two volumes of cahedral, he places the title of the piece at the end of the piece, either to allow the pianist to respond intuitively and individually to the music before finding out what Debussy intended the music to sound like, or to apply more ambiguity to the music’s allusion.

La Catedral Sumergida

Remaining in Cit skips to material from the beginning of B, and continues with this material until bar 67, ctedral briefly through E and G minor pentatonic. Jane Mortier, piano First Pub lication. This mode holds until measure 7, beginning a short section using the same mode now in C.

Piles Editorial deebussy Musica. Debussy uses this unstable pitch collection, with no clear tonic to facilitate a smooth transition between G minor Pentatonic to C Major Pentatonic. La Cathedrale engloutie 5: Performer Pages Chiara Bertoglio Piano.

Also within measures 1 through 15 are two occurrences of motif 2 G in measure 1, E in measure 5; E in measure 5, C in measure These file s are part of the Werner Icking Music Collection.

All versions agree that Dahut does not escape her fate. The high D in measures 1, 3, and 5; the soprano E octave that occurs 12 times from measures ; the high B in measures 14 cwtedral There are many different versions of the legend. Retrieved from ” https: Some extra work has been done in erasing the titles at the beginning of cafedral piece and placing them at the end, following the Author’s wish.

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Arranger Arthur Hartmann After the beginning section, Debussy gently brings the cathedral out of the water by modulating to B major, shaping the melody in a wave-like fashion, and including important narrative instructions in measure Also performers create a ringing bell sound by instantly releasing pedaled notes.

The Story of Debussy’s “The Sunken Cathedral” | Parker Symphony Orchestra

It is a complete exploration of chordal sound that encompasses the entire range of the piano, and that includes catedrao of Debussy’s signature chords a major tonic triad with added 2nd and 6th scale degrees. Sorry but your review could not be submitted, please verify the form and try again.

This prelude is typical of Debussy’s compositional characteristics. Schirmer’s Library of Musical Classics, No.

La cathédrale engloutie – Wikipedia

Please do not use inappropriate language, including profanity, vulgarity, or obscenity. Arranger Pierre Gouin – Contact.

Throughout all of this motivic repetition, transposition, and inversion, the themes longer phrases made up of the smaller motifs stay very much static, with only occasional elongation or shortening throughout the piece: John Carpenter used it as sound track in his scifi movie Escape from New York.

To send to more than one person, separate addresses with a comma. Preludes by Claude Debussy compositions Music based on European myths and legends. It was arranged for orchestra by Leopold Stokowski as The Engulfed Cathedral and released in a recording in Isabella Stewart Gardner Museum.